Away in a manger
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Description
This new setting of the traditional text is intended to offer a darker interpretation of the carol. The universally recognised words of Away in a manger are usually associated with one of two well-known melodies. This setting reflects the sometimes-forgotten humility and darkness of the nativity scene, using a folklike minor-mode refrain, and by capturing the lilting atmosphere of a lullaby. Although the carol is structured around three versions of a simple, balanced melody – one for each verse – each verse is characterised by different choral textures to complement the nuance of the text. Darker harmonies are punctuated with more hopeful moments – references to the stars, and the line ‘I love thee’ – these are marked with brighter sounds and upward melodic gestures woven into the shape of the verse. The final verse shows a more grounded feeling of hope through the use of the major inflection, featuring lighter and warmer tonal colours as we turn our thoughts ‘heaven’-wards.
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More from this series
Diverse in terms of theme and mood, with works suitable for a variety of festive and commemorative occasions, both sacred and secular, this series provides an exciting collection of contemporary works for choirs of all types, voicings and abilities.
Spanning many different styles including the jazz-influenced world of Will Todd’s Jazz Carols and Iain Farrington’s The Blues Service, the tranquil beauty of James MacMillan’s Ave Maris Stella, and the energetic jubilation of Gareth Treseder’s Blessed be that Maid Marie, the series provides a wealth of new music, perfect for choirs looking to expand their horizons and explore new repertoire.