Tagged with 'Salzburg Festival'

Mirror, mirror on the wall, who is the cleverest of them all? Based on the story by the Brothers Grimm, Carl Orff's fairytale opera Die Kluge (The Wise Girl) will be performed at the Salzburg Festival on 20 August 2024 under the musical direction of Anna Handler. 

A full year after the originally scheduled date, Salzburg Festival is presenting a new production of Intolleranza by Luigi Nono on 15 August. Directed by Jan Lauwers,  Sean Panikkar and Sarah Maria Sun will take the leading roles as 'the emigrante' and his fellow. In the pit, Vienna Philharmonic will be conducted by Ingo Metzmacher.

Intolleranza, composed in 1960/1961 is Luigi Nono’s first work for the stage. Its Italian description as Azione scenica underlines its renunciation of a narrative form of music theatre – the libretto has no coherent plot. Nono instead employs poems and documentary texts such as political interrogations and news headlines which are interwoven into the action as periodical highlights. Influences from Brechtian theatre are clearly recognisable, for example the audience becomes actively involved in what is happening on stage and is confronted by a question: under what conditions and against what political opposition is it possible to be consciously humane?

In eleven scenes, Nono describes the journey of the protagonist ‘emigrante’ on the way to his new homeland, making reference to contemporary and past historical events. The emigrante experiences a demonstration for peace, political interrogation and torture. Intolleranza is a politicalethical plea against violence, intolerance, discrimination and racism and has lost none of its relevance 50 years after its composition.

‘You, who shall resurface following the flood / in which we have perished, / remember / also the dark time / that you have escaped.’ (from the libretto)

After the opera was called Intolleranza 1960 at its world premiere, it has become common to add the current year to the work title. Wuppertal Opera is currently presenting a series of streamings, entitled Intolleranza 2021. The upcoming season will also see a number of stage performences with audience at Wuppertal.

• Luigi Nono: Composer Profile


• Intolleranza: Werkdetails, Termine und Online-Partitur 


• Salzburg Festival


• Oper Wuppertal

 

 

On 30 July, Peter Eötvös’ Halleluja - Oratorium balbulum will receive its world premiere at the Salzburg Festival as part of the ‘Ouverture Spirtiuelle’ series, performed by the Vienna Philharmonic and Hungarian Radio Choir under Daniel Harding.



Halleluja is Eötvös’ first symphonic vocal work, scored for vocal soloists, choir and orchestra, and will be dedicated to his close friend, the late author Péter Esterházy, who collaborated with Eötvös on the oratorio’s libretto.

Choir, angels, narrator and a stuttering prophet

Esterházy and Eötvös devised Halleluja as a 'meta-oratorio', in which the characters demonstrate self-awareness of their parts, recognising their roles are constructed and exist within an artistic performance. Throughout, Eötvös includes fragments of existing hallelujahs from a variety of musical periods ranging from baroque cantatas to gospel music. Examples include Bach’s Ich hatte viel Bekümmernis, Handel’s Messiah, and Mussorgsky’s Boris Godunov. For his prophet protagonist, Esterházy drew upon the figure of Notker Babulus, a monk also known as Notker the Stammerer. The oratorio explores themes of personal identity intended to resonate with contemporary political environments. Eötvös renders Notker, a figure from the dark ages, into a symbol of our time:

Nowadays, it is almost impossible to be a prophet because everything is unpredictable, and so the oratorio is not really a portrait of Notker, but rather a reflection of our time. As the work unfolds, the chorus as representative of the masses becomes increasingly assertive and critical. – Peter Eötvös

Harding will conduct two more performances of Halleluja on 23 November in Vienna and 24 November in Budapest. Next year, Eötvös will preside as ‘Creative Chair’ at Tonhalle Zürich and on 22 March, he will conduct the Tonhalle Orchestra in the Swiss premiere of Halleluja alongside his percussion concerto Speaking drums. On 1 August, he will conduct his chamber work Sonata per sei with Klangforum Wien at the Salzburg Festival.

• Peter Eötvös - profile


• Halleluja - Oratorium balbulum - workdetails